We share similarities and he always had that mentor mentality, trying to focus me through the right light, and I found a positive light through music. I always had him right there in my corner. They're either dead or locked up in prison. They was out there bumping they head, getting back up and cracking they head again and again until it was over.
He wasn't perfect, he was still out doing his stuff, but at the same time, every time I bumped my head he was always right there to say, "You know what? I told you don't do this. The only thing that separated me from them was the fact I had a father – an active father. How did you manage to avoid all that negativity? I know some of your buddies fell in with gang violence and whatnot.
Whether that's peer pressure from the homies, gang violence, police brutality or just growing up beside the ills of the world while still trying to represent yourself in a positive light, find yourself and not get distracted. I feel like that's what it is being a young black male trying to escape the negative aspects of the city. "Good kid in a mad city," that's a representation of my life growing up in Compton. That's my official debut album that I have in the cut that I'm still working and developing.
Where'd the title come from, what does it mean and why is it a phrase that comes up so regularly in your songs? The title of the upcoming album is Good Kid in a Mad City. I wish the best of luck to all the artists that plan on releasing albums in the second half of the year. As a technical MC, Lamar's complex rhyme schemes and emotional delivery put him in an elite class, and while he's most at home flowing at a deliberate speed on tracks like "Kush & Corinthians" and "Ronald Reagan Era," he's more than capable of picking up the pace on "Fuck Your Ethnicity" and "Rigamortus." Production-wise, Section.80 has a mind-blowing array of memorable instrumentals, from the sci-fi psychedelia of "ADHD" to the downtempo electro of "No Make-Up" and the heartbreaking flutes, strings and keys of "Keisha's Song." At the midway point of 2011, Section.80 has become the album to beat for album-of-the-year. Cole-produced tribute to the black leaders of previous generations) is the closest Generation Y has come to producing its version of "Fight the Power," while "Tammy's Song," "Keisha's Song" and "No Make-Up" are all sharp criticisms of a society that fails to take care of its daughters. That said, when he does choose to get political, Lamar is one of the most thought-provoking, insightful MCs of the last decade. His latest offering, Section.80, has as many personal meditations on the nature of success, bitter rants and blunted trip-outs as it does calls to political action. Readers also downloaded: J.Compton-based rapper Kendrick Lamar didn't want to become conscious rap's new hope, and in many ways, he's not. maad Cityand To Pimp A Butterfly, there was the Kendrick Lamar Section 80 album It is now known as his official debut album, an independent release. Section.80 is his much talked about mixtape, originally released in 2011. Kendrick Lamar, one of the new artists repping the West Coast.
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Download The Project That Started It all for Kendrick Lamar Section.80
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